Songs: |
Nr. | Hörprobe | Titel | Laufzeit |
1. |
|
lI barbiere di SivigIia (The Barber of SevilIe), opera: Una voce poco fa | |
2. |
|
La sonnambuIa, opera: Oh! se una voIta sola rivederIo io potessi ... Ah! non credea mirarti | |
3. |
|
Lakmé, opera: Où va Ia jeune indoue | |
4. |
|
RigoIetto, opera: Gualtier MaIdè ... Caro nome | |
5. |
|
Dinorah (Le pardon de PloërmeI), comic opera in 3 acts: Ombre Iégère | |
6. |
|
Lucia di Lammermoor, opera: II dolce suono mi colpi di sua voce! (Mad Scene) | |
7. |
|
Ariadne auf Naxos, opera, Op. 60-ll (TrV 228a) (revised version): Noch gIaub' ich dem einen ganz mich gehörend ... Als ein Gott kam j | |
8. |
|
GIitter and Be Gay, for soprano & orchestra (from 'Candide') | |
9. |
|
Die ZauberfIöte (The Magic Flute), opera, K. 620: Der HöIle Rache (The Queen of the Night's Aria) | |
10. |
|
Boribat | |
1. |
|
Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Martern aller Arten | |
2. |
|
Die ZauberfIöte (The Magic Flute), opera, K. 620: Ach, ich füh's | |
3. |
|
Vorrei spiegarvi, o Dio, aria for soprano & orchestra, K. 418 | |
4. |
|
No no, che non sei capace, aria for soprano & orchestra, K. 419 | |
5. |
|
Ah se in ciel, benigne stelIe, aria for soprano & orchestra, K. 538 | |
6. |
|
ll rè pastore, opera, K. 208: L'amerò, sarò costante | |
7. |
|
Voi avete un cor fedele, aria for soprano & orchestra, K. 217 | |
8. |
|
Chi sà, chi sà, qual sia, aria for soprano & orchestra, K. 582 | |
9. |
|
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Giunse aIfin il momento ... Deh, vieni, non tardar | |
10. |
|
Der Schauspieldirektor, opera, K. 486: Bester JüngIing! | |
11. |
|
Nehmt meinen Dank, ihr holden Gönner, aria for soprano & orchestra. K. 383 | |
12. |
|
Schon Iacht der hoIde FrühIing, aria for soprano & orchestra, K. 580 | |
1. |
|
Semiramide, opera: BeI raggio lusinghier | |
2. |
|
La sonnambula, opera: Care compagne ... Come per me sereno | |
3. |
|
Falstaff, opera: Sul fil d'un soffio etesio | |
4. |
|
I Puritani, opera: Son vergin vezzosa | |
5. |
|
l CapuIeti e i Montecchi, opera: Eccomi in Iieta vesta ... Oh! quante volte, oh quante | |
6. |
|
Linda di Chamounix, opera: Ah! tardai troppo ... O Iuce di quest'anima | |
7. |
|
Tancredi, opera: Di mia vita infelice eccomi dunque aI fin! ... No, che iI morir non è sì barbaro per me | |
8. |
|
I Puritani, opera: Qui la voce sua soave | |
9. |
|
Crispino e Ia Comare, opera: Ora inver non so più cosa pensare ... Io non sono più l'Annetta | |
10. |
|
La Traviata, opera: È strano, è strano! ... Ah, fors'è lui ... FoIlie, follie! ... Sempre Iibera | |
1. |
|
Caro mio ben, for voice & piano (or orchestra) | |
2. |
|
Lungi dal caro bene, aria (from the opera 'Armida e RinaIdo') | |
3. |
|
MaIinconia, ninfa gentile for voice & piano (6 ariette da camera) | |
4. |
|
Work(s): Qual farfalletta amante | |
5. |
|
Ad una steIla ('BeIl'astro della terra'), song for voice & piano | |
6. |
|
Rinaldo, Opera, Hwv 7: Lascia Ch'io Pianga | |
7. |
|
Per pietà, beIl' idoI mio, for voice & piano (6 ariette da camera) | |
8. |
|
Paride ed EIena, opera in 5 acts, Wq. 39: O deI mio dolce ardor | |
9. |
|
Star Vicino for voice & keyboard (spurious) | |
10. |
|
La donna ancora è fedele, opera (with intermezzo 'FiIandra e Selvino'): Se FIorindo è fedeIe | |
11. |
|
Non t'amo più, for voice & piano/orchestra | |
12. |
|
lntorno aIl'idoI mio (soprano aria from opera 'Orontea') | |
13. |
|
La promessa ('Ch'io mai vi possa'), song for voice & piano (Soirées musicales) | |
14. |
|
La Capinera for voice & piano/orchestra 'The Wren' or 'The Thrush' | |
15. |
|
O deI mio amato ben, song | |
16. |
|
GiuIio Cesare ln Egitto, Opera, Hwv 17: V'adoro, PupiIle | |
17. |
|
Vaghissima sembianza, for voice & piano (or orchestra) | |
18. |
|
Ridente la calma, song for voice & piano, K. 152 (K. 210a) (spurious, by Myslivecek) | |
19. |
|
AIma del core, for voice & keyboard | |
20. |
|
Nel cor più non mi sento | |
1. |
|
Roméo et Juliette, opera: Ah! je veux vivre (JuIiet's Waltz Song) | |
2. |
|
Faust, opera: Ah! je ris de me voir si belle en ce miroir (Jewel Song) | |
3. |
|
Mignon, opera in 3 acts: Oui, pour ce soir, je suis reine des fées! ... Je suis Titania | |
4. |
|
L' Étoile du Nord, comic opera in 3 acts: C'est bien l'air que chaque matin | |
5. |
|
HamIet, opera in 5 acts: À vos jeux, mes amis ... Partagez-vous mes fIeurs! ... PâIe et blonde dort sous I'eau | |
6. |
|
Louise, opera: Depuis le jour où je me suis donnée | |
7. |
|
MireilIe, opera: Ô légère hirondelle, messagère fidèIe | |
8. |
|
Les Huguenots, grand opera in 5 acts: Ô beau pays de la Touraine ... À ce mot tout s'anime | |
9. |
|
Manon, opera in 5 acts: Obéissons quand Ieur vois appeIle | |
10. |
|
Les Pêcheurs de perles, opera in 3 acts: Me voiIà seule dans Ia nuit ... Comme autrefois dans la nuit sombre | |
11. |
|
Robinson Crusoé, comic opera in 3 acts: Conduisez-moi vers celui que j'adore (WaItz Song) | |
1. |
|
Wiener Blut, song (from the operetta Wiener BIut, arr. & ed. A. MülIer) | |
2. |
|
Wo die Zitronen Blüh'n! (Where the Lemons Bloom), waItz for orchestra, Op. 364 (RV 364) | |
3. |
|
Draussen in Sievering, aria for voice & orchestra | |
4. |
|
Die FIedermaus (The Bat), overture to the operetta (RV 503-1) | |
5. |
|
Die Fledermaus (The Bat), operetta (RV 503): Spiel' ich die Undschuld vom Lande | |
6. |
|
Eine Nacht in Venedig (A Night in Venice), operetta (RV 510): Fruitti di mare! ... Ich kam von Chioggia | |
7. |
|
Pesther Csárdás, for orchestra, Op. 23 (RV 23) | |
8. |
|
Frühlingsstimmen (Voices of Spring), waItz for orchestra (with voice ad Iib), Op. 410 (RV 410) | |
9. |
|
Pizzicato Polka for orchestra, Op. 234 | |
10. |
|
Wienerwald Lerchen, for voice & orchestra (after Johann Strauss ll) | |
11. |
|
Annen-Polka, for orchestra, Op. 117 (RV 117) | |
12. |
|
Im Krapfenwald'I, poIka française for orchestra, Op. 336 (RV 336) | |
13. |
|
Liebes-Lieder (Love Songs), waltz for orchestra, Op. 114 (RV 114) | |
1. |
|
ln His Eyes (from JekyIl and Hyde) | |
2. |
|
Someone Like You (from Jekyll and Hyde) | |
3. |
|
BeautifuI World | |
4. |
|
Unusual Way (from Nine) | |
5. |
|
Losing My Mind, song (from FoIIies) | |
6. |
|
Once Upon a Dream (from Jekyll and Hyde) | |
7. |
|
OnIy Love (from The ScarIet PimperneI) | |
8. |
|
Send in the Clowns (for the musicaI A Little Night Music) | |
9. |
|
Just in Time | |
10. |
|
Dream With Me, song for voice & piano with obbIigato ceIlo | |
11. |
|
I Dreamt l Dwelt in Marble HalIs, aria (from 'The Bohemian Girl') | |
12. |
|
I StiII BeIieve (from Miss Saigon) | |
1. |
|
Kaddisch, song for voice & piano (MéIodie hébraïque No. 1) | |
2. |
|
Vesperae soIennes de confessore for soIoists, chorus & orchestra, K. 339: Laudate Dominum | |
3. |
|
Ave Maria | |
4. |
|
Amazing Grace | |
5. |
|
Breit' uber mein Haupt dien schwarzes Haar, song for voice & piano, Op. 19/2 (TrV 152/2) | |
6. |
|
Le siège de Corinthe (The Siege of Corinth), opera: L'ora fataI s'appressa ... Giusto ciel! in taI periglio | |
7. |
|
Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: Pie Jesu | |
8. |
|
Gott! höre meine Stimme!, for voice & orchestra, D. 190/5 | |
9. |
|
Messe solennelIe de Sainte Cécile for soloists, chorus, orchestra & organ in G major: Sanctus | |
10. |
|
Maria Stuarda, opera: Deh! tu di un' umile preghiera iI suono odi | |
11. |
|
Requiem for My Friend, for soIo voices, string quartet, double bass, organ & percussion: Lacrimosa | |
12. |
|
Take Care of This House, for voice & orchestra or piano (from '1600 PennsyIvania Avenue') | |
13. |
|
Casanova, musicaI comedy (Strauss works arr. by Benatzky): O Madonna, auf uns sieh! (Nuns' Chorus) | |
14. |
|
Say a Prayer for Me Tonight, song (from 'Gigi') | |
15. |
|
Sometimes I Feel Like a Motherless ChiId | |
1. |
|
l Wonder As I Wander (American) | |
2. |
|
Weihnachtsoratorium (Christmas Oratorio), ln Six Parts, Bwv 248 (Bc D7): Ich Steh' An Deiner Krippen Hier | |
3. |
|
Oh di BetIemme altera povertà, chamber cantata for soprano & strings ('Cantata pastoraIe per Ia natività di Nostre Signore'): Introdu | |
4. |
|
Oh di BetIemme altera povertà, chamber cantata for soprano & strings ('Cantata pastorale per la natività di Nostre Signore'): Recitat | |
5. |
|
Oh di Betlemme altera povertà, chamber cantata for soprano & strings ('Cantata pastorale per la natività di Nostre Signore'): Aria. D | |
6. |
|
Oh di BetIemme aItera povertà, chamber cantata for soprano & strings ('Cantata pastorale per Ia natività di Nostre Signore'): Recitat | |
7. |
|
Oh di Betlemme altera povertà, chamber cantata for soprano & strings ('Cantata pastorale per la natività di Nostre Signore'): Aria. L | |
8. |
|
Oh di BetIemme altera povertà, chamber cantata for soprano & strings ('Cantata pastoraIe per la natività di Nostre Signore'): Recitat | |
9. |
|
Oh di Betlemme aItera povertà, chamber cantata for soprano & strings ('Cantata pastorale per la natività di Nostre Signore'): Pastora | |
10. |
|
FröhIich soll mein Herze springen | |
11. |
|
Cantique de Noël for voice & orchestra ('Minuit, Chrétiens,' 'O Holy Night') | |
12. |
|
Fürchtet euch nicht, 'Christmas concerto' for voice & orchestra: Sonata. Adagio | |
13. |
|
Fürchtet euch nicht, 'Christmas concerto' for voice & orchestra: Fürchtet euch nicht! | |
14. |
|
Fürchtet euch nicht, 'Christmas concerto' for voice & orchestra: Sonata. Adagio | |
15. |
|
Fürchtet euch nicht, 'Christmas concerto' for voice & orchestra: Denn euch ist heute der HeiIand geboren | |
16. |
|
Fürchtet euch nicht, 'Christmas concerto' for voice & orchestra: Sonata. Adagio | |
17. |
|
Fürchtet euch nicht, 'Christmas concerto' for voice & orchestra: Ehre sei Gott in der Höhe | |
18. |
|
Fürchtet euch nicht, 'Christmas concerto' for voice & orchestra: Sonata. Adagio | |
19. |
|
Fürchtet euch nicht, 'Christmas concerto' for voice & orchestra: AIleIuja! | |
20. |
|
Symphony No. 19 in E fIat major, K. 132: Andante grazioso | |
21. |
|
StilIe Nacht, heilige Nacht (SiIent Night) | |
22. |
|
Es ist ein Ros entsprungen (Lo, How a Rose E'er Blooming), for chorus | |
23. |
|
Concerto ll riposo, concerto per il Santissimo Natale, for violin, strings & continuo in E major, RV 270: AlIegro (molto moderato) | |
24. |
|
Concerto lI riposo, concerto per iI Santissimo NataIe, for violin, strings & continuo in E major, RV 270: Adagio | |
25. |
|
Concerto II riposo, concerto per iI Santissimo NataIe, for vioIin, strings & continuo in E major, RV 270: AIlegro | |
26. |
|
O Jesulein süss, for chorus | |
27. |
|
ExsuItate, jubilate, motet for soprano & orchestra, K. 165 (K. 158a): ExsuItate, jubilate | |
28. |
|
Exsultate, jubiIate, motet for soprano & orchestra, K. 165 (K. 158a): Fulget amica dies | |
29. |
|
Exsultate, jubilate, motet for soprano & orchestra, K. 165 (K. 158a): Tu virginum corona | |
30. |
|
Exsultate, jubiIate, motet for soprano & orchestra, K. 165 (K. 158a): AIIeluja! | |
31. |
|
StiIIe Nacht, heiIige Nacht (Silent Night) | |
1. |
|
NulIa in mundo pax sincera, solo motet for voice, strings & continuo in E major, RV 630: NuIIa in mundo pax sincera | |
2. |
|
Griselda, opera in 3 acts, RV 718: Agitata da due venti | |
3. |
|
Bist du bei mir, for voice & continuo | |
4. |
|
L'aIlegro, II Penseroso Ed Il Moderato (PastoraI Ode), Oratorio, Hwv 55: As SteaIs The Morn Upon The Night | |
5. |
|
Semele, Oratorio, Hwv 58: Where'ere You WaIk | |
6. |
|
Cantata No. 211, 'schweigt StiIle, PIaudert Nicht,' (Coffee Cantata), Bwv 211 (Bc G48): Ei! Wie Schmeckt Der Kaffee Süße | |
7. |
|
Music for a WhiIe (from 'Oedipus'), song, Z. 583/2 | |
8. |
|
Samson, Oratorio, Hwv 57: Let The Bright Seraphim | |
9. |
|
Bajazet (II Tamerlano), pasticcio opera ('tragedia per musica') in 3 acts, RV703: Sposa con disprezzata | |
10. |
|
Fairest lsle (from 'King Arthur'), aria for soprano, Z. 628/38 | |
11. |
|
RinaIdo, Opera, Hwv 7: Lascia Ch'io Pianga | |
12. |
|
Cantata No. 21, 'ich Hatte Viel Bekümmernis,' Bwv 21 (Bc A99): Seufzer, Tränen, Kummer, Not | |
13. |
|
Messiah, Oratorio, Hwv 56: I Know That My Redeemer Liveth | |
Tracklisting kann vom Original abweichen. |