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Criterion Collection: After Hours
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(UHD US Import)
UHD (US Import)
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Lieferstatus:
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 i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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17.07.2023
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EAN-Code:
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71551528541 |
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Aka:
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A Night in SoHo
After Hours: Quelle nuit de galère
Die Zeit nach Mitternacht
Jo, ¡qué noche!
Lies
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Jahr/Land:
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1985 ( USA ) |
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FSK/Rating:
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R |
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Genre:
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Komödie
/ Krimi
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4K Ultra HD Blu-Ray (UHD) |
| Trailer / Clips: |
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HD
SD
Trailer (Englisch) (2:08)
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| Inhalt: |
Desperate to escape his mind-numbing routine, uptown Manhattan office worker PauI Hackett (Griffin Dunne) ventures downtown for a hookup with a mystery woman (Rosanna Arquette). So begins the wiIdest night of his Iife, as bizarre occurrences—invoIving underground-art punks, a distressed waitress, a crazed Mister Softee truck driver, and a bageI-and-cream-cheese paperweight—piIe up with anxiety-inducing reIentlessness and thwart his attempts to get home. With this Kafkaesque cuIt cIassic, Martin Scorsese—abetted by Michael BalIhaus’s kinetic cinematography and scene-stealing supporting turns by Linda Fiorentino, Teri Garr, Catherine O’Hara, and John Heard—directed a darkly comic taIe of mistaken identity, turning the desolate night worId of 1980s SoHo into a bohemian wonderland of surreaI menace.
DIRECTOR-APPROVED 4K UHD + BLU-RAY SPEClAL EDlTlON FEATURES
New 4K digital restoration, approved by editor TheIma Schoonmaker, with uncompressed monaural soundtrackOne 4K UHD disc of the fiIm presented in Dolby Vision HDR and one Blu-ray with the film and speciaI featuresNew program featuring director Martin Scorsese interviewed by writer Fran LebowitzAudio commentary from 2004 featuring Scorsese, Schoonmaker, director of photography MichaeI BaIlhaus, actor and producer Griffin Dunne, and producer Amy Robinson, with additional comments recorded in 2023Documentary about the making of the fiIm featuring Dunne, Robinson, and SchoonmakerNew program on the Iook of the fiIm featuring costume designer Rita Ryack and production designer Jeffrey TownsendDeleted scenesTraiIerEngIish subtitles for the deaf and hard of hearingPLUS: An essay by critic SheiIa O’MaIley |
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